Iulia Maria Dan

Soprano

Romanian Soprano Iulia Maria Dan’s “richly coloured, beautifully finished but still radiantly clear sound” (Sydney Morning Herald) has made her in demand in prestigious theatres across Europe. This season she makes her company debut at the Opéra de Rouen as Micaëla Carmen conducted by Ben Glassberg, which will also be performed in concert at the Théâtre des Champs-Elysées; and returns to the Israeli Opera Tel-Aviv as Desdemona Otello.

Recent highlights include important debuts at Oper Leipzig as Desdemona in Monique Wagemakers new production of Otello; the Ravenna Festival, Opéra de Versailles; the Israeli Opera; Opéra National de Bordeaux and the Gran Teatre del Liceu as Donna Anna Don Giovanni, where she also appeared as Fiordiligi Cosi fan tutte and Contessa Le nozze di Figaro; the Norwegian National Opera, where she stepped in as Tatyana Eugene Onegin; a return to the Romanian National Opera as Violetta La Traviata and Semperoper Dresden as Mimì La Bohème.

A recent member of the ensemble at the Semperoper Dresden, her roles there included Micaela Carmen; Mimì and Musetta La Bohème; Gretel Hansel and Gretel; Donna Elvira Don Giovanni; Fiordiligi Così Fan Tutte; Tatyana Eugene Onegin; Contessa Le nozze di Figaro, Violetta La Traviata and Madam Cortese Il viaggio a Reims.

Dan has made several acclaimed debuts: at the Verbier Festival as Aminta Il re pastore; the title role of Massenet Manon at Oper Graz; Ofelia in Franco Faccio’s Amleto at the Bregenz Festival; Mimì La Bohème with Opera Australia on the Sidney Harbour; the premiere of Stefan Wirth’s Francesca da Rimini at the Münchner Opernfestspiele; and Gilda Rigoletto for Romanian National Opera. A member of the Staatsoper Hamburg ens emble between 2015-2017, her roles there included Helena A Midsummer Night’s Dream, Agathe Der Freischütz, Mimì La Bohème, Tatyana Eugene Onegin, Freia Das Rheingold, Contessa Le nozze di Figaro, Mathilde Guillaume Tell, Rosalinde Die Fledermaus and Fiordi ligi Così fan tutte. Prior to this, Dan was a member of the ensemble of the Bayerische Staatsoper, where she began as a member of their prestigious Opernstudio.

Upcoming and recent successes on the concert platform include the Zemlinksy Lyric Symphony with Württembergische Philharmonie Reutlingen conducted by Ariane Matiakh; Beethoven Symphony No.9 with the Orchestra Ensemble Kanazawa conducted by Marc Minkowski, at the Verbier Festival and with Staatstheater Kassel; Contessa Le nozze di Figaro and performances of Don Giovanni in Israel and Santander with Les Musiciens du Louvre Grenoble; a programme of Mozart arias at Lviv MozArt Festival conducted by Oksana Lyniv; Beethoven Cantata for the Death of Emperor Josef with the BBC Phi lharmonic Orchestra under the baton of Mark Wigglesworth and Verdi Requiem with the London Philharmonic Orchestra and Edward Gardner at the Royal Festival Hall.

A graduate of the National University of Music in Bucharest, Dan is a recipient of many prizes and awards at competitions such as Most Promising Young Artist at the Hans Gabor Belvedere International Singing Competition where she was also awarded the Graz Opera Special Prize and the Soroptimist Prize, the Hariclea Darclee International Singing Competition, and the Ionel Perlea National Song Competition.

Performances

JULY 3 2024

Stars of the Opera Sky; Prague Philharmonia - Festival Hall

Litomyšl, Czechia

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SEPTEMBER 21 2024

Micaëla, Carmen; Volksoper Wien

Wien, Austria

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SEPTEMBER 24 2024

Micaëla, Carmen; Volksoper Wien

Wien, Austria

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SEPTEMBER 27 2024

Micaëla, Carmen; Volksoper Wien

Wien, Austria

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OCTOBER 3 2024

Micaëla, Carmen; Volksoper Wien

Wien, Austria

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More Dates

Performances

JULY 3 2024Stars of the Opera Sky; Prague Philharmonia - Festival HallLitomyšl, CzechiaBuy Tickets
SEPTEMBER 21 2024Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
SEPTEMBER 24 2024Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
SEPTEMBER 27 2024Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
OCTOBER 3 2024Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
OCTOBER 6 2024Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
NOVEMBER 20 2024Second Nymph, Rusalka; Teatro di San CarloNapoli, ItalyBuy Tickets
NOVEMBER 26 2024Second Nymph, Rusalka; Teatro di San CarloNapoli, ItalyBuy Tickets
DECEMBER 3 2024Second Nymph, Rusalka; Teatro di San CarloNapoli, ItalyBuy Tickets
DECEMBER 5 2024Second Nymph, Rusalka; Teatro di San CarloNapoli, ItalyBuy Tickets
DECEMBER 7 2024Second Nymph, Rusalka; Teatro di San CarloNapoli, ItalyBuy Tickets
DECEMBER 13 2024Rosalinde, Die Fledermaus; Les Musiciens du LouvreBaden-Baden, GermanyBuy Tickets
DECEMBER 15 2024Rosalinde, Die Fledermaus; Les Musiciens du LouvreBaden-Baden, GermanyBuy Tickets
DECEMBER 18 2024Rosalinde, Die Fledermaus; Les Musiciens du LouvreBarcelona, SpainBuy Tickets
DECEMBER 20 2024Rosalinde, Die Fledermaus; Les Musiciens du LouvreSeville, SpainBuy Tickets
DECEMBER 28 2024Rosalinde, Die Fledermaus; Les Musiciens de Louvre - TenerifeSanta Cruz, Tenerife, SpainBuy Tickets
MAY 6 2025Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
MAY 16 2025Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
MAY 25 2025Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets
MAY 28 2025Micaëla, Carmen; Volksoper WienWien, AustriaBuy Tickets

Press

With an infinite nobility (especially applauded in the “Dove sono”), the voice unfolds in impressive crescendi; starting from the pianississimo and sparkling like a silver thread supporting the rises in volume. The amplitude of the material relates to that of the ambitus, the voice plunging towards a bass as tender as full-bodied.

Olyrix

Iulia Maria Dan sings the Ofelia, to whom the most beautiful arias have been bestowed, with great tenderness and intimacy.

Opernnetz

The Romanian Iulia Maria Dan is a heartfelt, enchanting Ofelia.

Online Merker

Iulia Maria Dan, with a dark and round voice, made a balanced portrait of Donna Anna, torn between nobility and torment

Connessiallopera

Soprano Iulia Maria Dan was entirely convincing as a mini-skirted Mimi, and sang with a richly coloured, beautifully finished but still radiantly clear sound.

Sydney Morning Herald

Iulia Maria Dan rose to the expectations of the role of Donna Anna. Efficient in her arias, precise and expressive in the recits, she showed an elegant and secure vocal line, supported by a clear and pleasant voice

Operaclick

The real revelation in this act was Iulia Maria Dan as Mimì – her dark tone was almost mezzo-like, unexpected but very appealing.

Bachtrack

Romanian Iulia Maria Dan …is a new face, however, bringing a lush soprano to Mimì, playing the role with a subtle self-possession flecked with a defiant playfulness that lingers even as her tubercular plotline progresses towards its inevitable conclusion.

Limelight Magazine

Releases

The Symphonies: A Beethoven Journey
Franco Faccio: Amleto

MWA