Lauri Vasar

Bass-baritone

Estonian bass-baritone Lauri Vasar was born in Tallinn and studied there and at the Salzburg Mozarteum. He made his stage debut at the Salzburg Festival in 2003 (Die Bakchantinnen, Don Carlos). Notable engagements include appearances as Gunther and Donner in Wagner’s Ring Cycle, Orest (Elektra), Amfortas (Parsifal), the title role of Le nozze di Figaro and Sharpless (Madama Butterfly) for the Staatsoper Berlin; Olivier (Capriccio) for Opéra national de Paris, Lyon Opera and La Monnaie, Brussels; Orest and Gunther for Teatro Real, Madrid; Kovalyov (The Nose) for Zurich Opera; Wolfram (Tannhäuser) and Amfortas for Budapest Wagner Days; and the title role of Il prigioniero for Athens Opera. Other roles in his repertory include Shaklovity (Khovanshchina), Marcello (La bohème), Belcore (L’elisir d’amore), Yeletsky (The Queen of Spades), Escamillo (Carmen), Lescaut (Manon Lescaut), the Forester (The Cunning Little Vixen) and the title roles of Don Giovanni and Eugene Onegin.

Engagements this season include Varlaam in Boris Godunov and Kurwenal in Tristan und Isolde at the Staatsoper Hamburg; Barak Die Frau ohne Schatten, Orest Elektra, Amfortas Parsifal and Gunther Götterdämmerung, all at Staatsoper unter den Linden and Wolfram Tannhäuser at the Budapest Wagner Days. Recent successes include a highly acclaimed Papageno Die Zauberflöte at San Francisco Opera where Vasar was described as ‘the star of the show’ (Opera Today); Sharpless Madama Butterfly at the Royal Ballet & Opera; Graf von Gloster Lear at Teatro Real and  Orest Elektra at Staatsoper unter den Linden.

 

Other highlights include King Lessons in Love and Violence (Opernhaus Zürich); Orest Elektra (Staatsoper Hamburg); Papageno Die Zauberflöte and Wolfram Tannhäuser (Estonian National Opera); Gunther and Donner Der Ring des Nibelungen (Staatsoper unter den Linden); Gunther Götterdämmerung (Teatro Real); Donner Das Rheingold (Opéra national de Paris); Sharpless Madama Butterfly (Staatsoper unter den Linden); and Don Carlos Bethrothal in a Monastery (Staatsoper unter den Linden).

 

Vasar has sung under the baton of many renowned conductors such as Daniel Barenboim, Christian Thielemann, Simone Young, Bertrand de Billy, Sebastian Weigle, Kirill Petrenko, Adam Fischer, Peter Schneider and Gustavo Dudamel and has worked with acclaimed directors such as Robert Carsen, Stefan Herheim, Calixto Bieto, Peter Stein, and Christoph Loy and was nominated for the Faust Prize for his portrayal of Billy Budd at the Deutsche Oper am Rhein.

Performances

APRIL 20 2025

Amfortas, Parsifal; Staatsoper unter den Linden

Berlin, Germany

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JUNE 6 2025

Wolfram von Eschenbach, Tannhäuser; Mupa Budapest

Budapest, Hungary

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JUNE 29 2025

Wolfram von Eschenbach, Tannhäuser; Mupa Budapest

Budapest, Hungary

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OCTOBER 3 2025

Gunther, Götterdämmerung; Staatsoper unter den Linden

Berlin, Germany

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OCTOBER 12 2025

Gunther, Götterdämmerung; Staatsoper unter den Linden

Berlin, Germany

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Press

Orestes is in very good hands with the Estonian baritone Lauri Vasar. With his bright, warm-timbered cavalier baritone, he is convincing both vocally and as a clearly contoured character. The man believed dead, son and brother, who has become a great stranger, comes to this domestic, neglected and blood-soaked court, finds his sister Electra in a pitiful state and does what has to be done. Vasar brings the creative nuances as a savior and liberator, disgusted by what he finds and finally turning away, to the point in a fascinating way.

Online Merker

Lauri Vasar embodies a touching and respectful Sharpless, with a metallic timbre and easily accessible bass and treble, in a more measured interpretation but no less accurate than the others.

Olyrix

The star of the show was German baritone Lauri Vasar as Charlie Chaplin sans moustache aka Papageno. Mr. Vasar’s postures were pure Chaplin, vocally he was much more richly endowed than the usual Papageno. He was a warm, abstractly human silent film character (who incongruously sang beautifully) aided in no small way by the complete absence of the usual Schikaneder (the Magic Flute’s playwright) imposed schtick.

Opera Today

Sharing filial ingratitude with the protagonist, the Estonian baritone Lauri Vasar composed with great ease a Count of Gloucester of painful humanity and authority with a voice of beautiful timbre and always careful singing.

Opera World (Spain)

Releases

Reimann: Lear
Mozart: Le nozze di Figaro
Puccini: Madam Butterfly
Wagner: Götterdämmerung
Wagner: Das Rheingold

MWA