Brindley Sherratt

Sherratt’s 2025-26 season includes several exciting projects: his role debut as Filippo in Don Carlo at Norwegian National Opera; Doktor Wozzeck with the Bayerische Rundfunk and Sir Simon Rattle and also with the London Philharmonic Orchestra and Edward Gardner; Count Waldner Arabella at the Metropolitan Opera; a new production by Bárbara Lluch of Tristan und Isolde at the Liceu; and Sarastro Die Zauberflöte at Festival d’Aix-en-Provence.

The 2024-25 season began with a role debut as Daland in Wagner’s Der fliegende Holländer at the Norwegian National Opera and which was later released by Decca Classics; Claggart Billy Budd at the Wiener Staatsoper; Wurm Luisa Miller at Staatsoper Hamburg; Cadmus & Somnus in a new production of Semele at the Théâtre des Champs-Elysées and at the Royal Ballet & Opera; Baron Ochs Der Rosenkavalier at the Bayerische Staatsoper; Gurnemanz Parsifal at the Tiroler Festspiele Erl; and as Boris Lady Macbeth of Mtsensk at the BBC Proms with English National Opera. Other highlights include Rocco Fidelio at the Bayerische Staatsoper; Zebul in Oliver Mears’ new production of Jephtha at Royal Ballet & Opera; and Sarastro Die Zauberflöte at the Metropolitan Opera. He performed Act 1 of Die Walküre at the Teatro dell’Opera di Roma conducted by Omer Meir Wellber; Mussorgsky Songs and Dances of Death with the Orquesta y Coro Nacionales de España in Madrid; and a recital at Wigmore Hall with pianist Julius Drake.

Other recent appearances include his debut at Opéra National de Paris as Sarastro Die Zauberflöte, a role which he also reprised at the Royal Ballet & Opera; Doktor Wozzeck in new productions at the Royal Ballet & Opera and the Festival d’Aix-en-Provence; and Swallow in Stefan Herheim’s acclaimed production of Peter Grimes at Bayerische Staatsoper. On the concert platform, he has performed as Gurnemanz Parsifal with the Bergen Philharmonic Orchestra under the baton of Edward Gardner; Harapha in Handel’s Samson at the BBC Proms with the Academy of Ancient Music conducted by Laurence Cummings; Beethoven’s Missa Solemnis at the Festival d’Aix-en-Provence conducted by Thomas Hengelbrock and Sarastro Die Zauberflöte at the Edinburgh International Festival under the baton of Maxim Emelyanychev.

Further engagements include a hugely acclaimed debut as Gurnemanz in semi-staged performances of Parsifal with the Orchestra of Opera North conducted by Richard Farnes; Hunding in Richard Jones’ new production of The Valkyrie for the English National Opera; Claggart Billy Budd, Sarastro, Sparafucile Rigoletto, Gremin Eugene Onegin, Fafner in The Ring Cycle, Ramfis Aida, Il Commendatore Don Giovanni and Timur Turandot, all at Royal Ballet & Opera; Ochs Der Rosenkavalier for the Glyndebourne Festival and the Welsh National Opera; Marke Tristan und Isolde for the Glyndebourne Festival; Sarastro at the Wiener Staatsoper, Hamburgische Staatsoper and for the Dutch National Opera and Glyndebourne Festival; Claggart for the Teatro Real in Madrid, at the Glyndebourne and Aldeburgh Festivals and at the BBC Proms; Geronte di Ravoir Manon Lescaut for the Metropolitan Opera; Bottom A Midsummer Night’s Dream at the Festival d’Aix-en-Provence; Doktor Wozzeck at the Lyric Opera of Chicago and Arkel Pelléas et Mélisande for the Opernhaus Zurich, Oper Frankfurt and Glyndebourne Festival. His many roles for the English National Opera include Sarastro, Pimen Boris Godunov and Fiesco Simon Boccanegra. He has also sung Judge Turpin Sweeney Todd at the Opernhaus Zurich; Banco Macbeth for the Opéra de Bordeaux; Pimen for the Opéra de Nice; Balducci Benvenuto Cellini and Hobson Peter Grimes in Salzburg; Rocco in Seville; Pogner Die Meistersinger von Nürnberg for the Welsh National Opera and Fasolt Das Rheingold and Filippo Don Carlo for Opera North.

Highly in demand on the concert platform, he has appeared at the Bregenz, Edinburgh, Lucerne, Salzburg and Three Choirs Festivals and at the BBC Proms. He works regularly with leading orchestras and conductors and recent engagements have included the Dallas Symphony Orchestra conducted by Fabio Luisi; Orchestra of the Royal Opera House with Pappano; the Philharmonia with Sir Andrew Davis; the Hallé Orchestra with Sir Mark Elder; the Mahler Chamber Orchestra with Harding; the Rotterdam Philharmonic Orchestra with Bicket; the Monteverdi Choir with Gardiner; the Scottish Chamber Orchestra with Nézet-Séguin and the Orchestre des Champs-Elysées and Deutsche Kammerphilharmonie Bremen with Langrée.

He has recorded the roles of Polyphemus Acis and Galetea (Nimbus); Somnus/Cadmus Semele and Ariodate Serse (Chandos); Ubaldo in Donizetti’s Imelda de Lambertazzi and Goffredo in Bellini’s Il Pirata (Opera Rara); Rocco Fidelio (Glyndebourne Live) as well as Judas in The Apostles with the Hallé Orchestra and Sir Mark Elder; Beethoven Missa Solemnis with the Chamber Orchestra of Europe and John Nelson and Haydn Masses and Bach Cantatas with the Monteverdi Choir and Sir John Eliot Gardiner.

Born in Lancashire into a family of strong singers, he initially studied trumpet at the Royal Academy of Music, and is now a Visiting Professor at both the Royal Academy and the Royal College of Music.